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selected works 2022-2024

Christofer Degrér – Arrhythmia (II), 2023.jpg

Arrhythmia (III), 2023

Glass, ceramic, polylactic acid, acrylonitrile styrene acrylate, epoxy, poly(methyl methacrylate), island sand, strontium aluminate,

distilled rain water, eye drops

16 x 12 x 12 cm

Ed. of 8 unique variants + 1 AP (3#/8)

Christofer Degrér – Arrhythmia (IV), 2023

Arrhythmia (II), 2023

Glass, ceramic, polylactic acid, acrylonitrile styrene acrylate, epoxy, poly(methyl methacrylate), island sand, strontium aluminate,

distilled rain water, eye drops

16 x 12 x 12 cm

Ed. of 8 unique variants + 1 AP (#2/8)

Christofer Degrér Hemostasis (sloppy dream), 2024

Hemostasis (sloppy dream), 2024

Epoxy resin, sand, acrylic rods, glass, polymer clay, plaster, particle board, plywood, MDF, metal wire (steel, copper, brass, silver), paint (acrylic, vinyl, enamel, chromium), electronics (3v replaceable battery module, LED lights, UV lights), UV resin, strontium aluminate pigment

42 x 30 x 30 cm

Photo: Elizabeth Url

Hemostasis (sloppy dream), 2024
Hemostasis (sloppy dream), 2024
Christofer Degrér Hemostasis (sloppy dream), 2024
Christofer Degrér Hemostasis (sloppy dream), 2024
Christofer Degrér – )fountain(, 2023

)fountain(, 2023 (pt. A)

Flame-proof urethane resin-cast mirrors from attics and basements

Diptych: ea. 29.5 x 12.5 x 2 cm
Photo: Jhoeko

Christofer Degrér – )fountain(, 2023

)fountain(, 2023 (pt. B)

Photo: Jhoeko

Rose (XVII), 2023

Rose (XVII), 2023

Chroma key paint and rose thorns (removed from dead wild white rose bushes next to a closed observatory in a light-polluted city park under a full moon) on artificial white rose

40 x 9 x 9 cm

Rose (XIX), 2024

Rose (XIX), 2024

Chroma key paint and rose thorns (removed from dead wild white rose bushes next to a closed observatory in a light-polluted city park under a full moon) on artificial white rose

40 x 9 x 9 cm

Rose (XXIV), 2024

Rose (XXIV), 2024

Chroma key paint and rose thorns (removed from dead wild white rose bushes next to a closed observatory in a light-polluted city park under a full moon) on artificial white rose

40 x 9 x 9 cm

Rose (XXIII), 2024

Rose (XXIII), 2024

Chroma key paint and rose thorns (removed from dead wild white rose bushes next to a closed observatory in a light-polluted city park under a full moon) on artificial white rose

40 x 9 x 9 cm

Christofer Degrér – supersargasso, 2023

supersargasso, 2023

Aquarium, LED lights, oxygen pump, pearls, plastic pearls, pearlescent paint, sparking mineral water (Ramlösa [lemon]), inkjet ink (cyan), mahogany, low molecular liquid epoxy resin

30 x 30 x 40 cm

Photo: Johnny Isaksson

   > Installation views: Objektskatalogen, Konstnärshuset, Stockholm

Christofer Degrér – supersargasso, 2023

supersargasso, 2023 (detail)

Christofer Degrér Catenaries and dirigibles, 2024

Catenaries and dirigibles, 2024

Epoxy resin, sand, acrylic rods, glass, polymer clay, MDF, metal wire (steel, copper, brass, silver), paint (acrylic, vinyl, enamel)

18 x 20 x 20 cm

Christofer Degrér Catenaries and dirigibles, 2024
Christofer Degrér Catenaries and dirigibles, 2024

Bouquet of white roses (III): Conjecture Atlas, 2022

Bouquet of white roses (III): Conjecture Atlas, 2022

Chroma key paint, rose thorns (removed from dead wild white rose bushes next to a closed observatory in a light-polluted city park under a full moon), jute twine, and wall paint on artificial white roses

44 x 23 x 37 cm

Bouquet of white roses (III): Conjecture Atlas, 2022

Bouquet of white roses (III): Conjecture Atlas, 2022 (detail)

Christofer Degrér – IO, 2021-2023

IO, 2021-2023

Sand (from: a broken hourglass; inland Anholt [Kattegat]; passenger seat of a storm-blue Peugeot nicknamed “Atlantic Storm” [as based on a shower program at Stillery Spa & Relax, Härnösands Simhall]; leftover from broken mandalas on limestone door stoops in Gamla Staden-Sandskogen, Ystad, on the occasion of a funeral procession [as based on local customs of honoring the dead by decorating the neighborhood limestone door stoops with intricate sand drawings in the late 1950s]; walked upon insides of ergonomic shoes worn on beaches; dunes by Parkvägens parking lot, Västra Ljunghusen); spray-painted dust (bleached dehydrated lobster mushroom [Hypomyces lactifluorum]; ground épice riche spice mix [white pepper, allspice, cloves, nutmeg]; faux white rabbit fur fibers; pulverized baltic amber; sun-dried solution of polylactic acid, acrylonitrile styrene acrylate, epoxy, and poly(methyl methacylate); breadcrumbs [ciabatta]; strontium aluminate; ashes from an exhibition-specific artwork [“2-faced tombstone (2023)”]; shavings from a meteorite shard [fall date approx. 500 BCE, Campo del Cielo, Gran Chaco Gualamba, Argentina]; seed from a pomegranate [Punica granatum] Bonsai tree; finely chopped inkjet-print [“Continuous excerpt, 2021, Chroma key-painted bay forget-me-nots (Myosotis laxa), inkjet on mirrored vinyl, and chroma key-painted artificial bluebottle flies, (Calliphoridae lucilia) on mirror (2023), 60 x 96 cm, PDF/Pro-forma invoice poem on inkjet-print, 210 x 297 x 6 mm (A4)/ 795 Kb”]; plaster; pulverized AP (“Rose [IV] [2023]”); wilted bay forget-me-nots [Myosotis laxa]; eyelash; dust from an old mirror; confetti; artificial snow flakes; fleur de sel; and various materials)

Dimensions variable

Photo: Elizabeth Url (installation view (ramlösa inåtvänd [w/ Eugene Sundelius von Rosen], Sulfur, Malmö [2023])

2.Equilibrium (...) (2023) © Christofer Degrér.jpg

Equilibrium: “[...] left behind and I’ll turn down eternity unless in April’s haze immediately left behind and I’ll turn down eternity unless in April’s haze immediately [...]”, 2023
Chroma key-painted plants from dilapidated factory buildings and fenced-off empty parking lots (black-bindweed [Fallopia convolvulus], broadleaf plantain [Plantago major], chickweed [Stellaria media], corn marigold [Glebionis segetum], field forget-me-not [Myosotis arvensis L], field milk thistle [Sonchus arvensis], field thistle [Cirsium arvense], fireweed [Chamerion angustifolium], giant hogweed [Heracleum mantegazzianum], goosefoot [Chenopodium L], ground elder [Aegopodium podagraria], groundsel [Senecio vulgaris], shaggy soldier [Galinsoga quadriradiata], slender meadow foxtail [Alopecurus myosuroides], sticky ragwort [Senecio viscosus], stinging nettle [Urtica dioica], treacle-mustard [Erysimum cheiranthoides], wall lettuce [Lactuca muralis], yarrow (Achillea millefolium L]), plaster, MDF

62 x 45 x 45 cm

2.Equilibrium (...) (2023) © Christofer Degrér

Detail: Equilibrium: “[...] left behind and I’ll turn down eternity unless in April’s haze immediately left behind and I’ll turn down eternity unless in April’s haze immediately [...]”, 2023 

2.Equilibrium (...) (2023) © Christofer Degrér

Detail: Equilibrium: “[...] left behind and I’ll turn down eternity unless in April’s haze immediately left behind and I’ll turn down eternity unless in April’s haze immediately [...]”, 2023

 

Christofer Degrér – 25/6, 2023

25/6, 2023
Strontium aluminate-dyed urethane resin; Baltic amber shards; galvanized hooks, rings and chains
6.5 × 5 × 123 cm
Photo: Elizabeth Url

Christofer Degrér – 25/6, 2023

Detail (strontium aluminate effect):
25/6, 2023
Photo: Elizabeth Url

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